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Tuesday, December 27, 2011

Beethoven on how he wrote his music

     Then from the focus of enthusiasm I must discharge melody in all directions; I pursue it, capture it again passionately; I see it flying away and disappearing in the mass of varied agitation; now I seize upon it again with renewed passion; I cannot tear myself from it; I am impelled with hurried modulations to multiply it, and, at length I conquer it: behold, a symphony!  Music, verily, is the mediator between the life of the mind and the senses...
     The mind wants to expand into the limitless and universal where everything flows into a stream of feelings which spring from simple musical thoughts and which otherwise would die away unheeded. This is harmony, this is what speaks from my symphonies, the sweet blend of manifold forms flows along in a stream to its destination. There indeed one feels something eternal, infinite, something never wholly comprehensible is in all that is of the mind, and although in my works I always feel that I have succeeded, yet at the last kettle-drum with which I have driven home to my audience my pleasure, my musical conviction, like a child I feel starving once again in me an eternal hunger that but a moment before seemed to have been assuaged...

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