The morning seems to have no light to spare
For these close, silent, neighboring, dark trees,
But too much brightness, in low-lying glare,
For middling truths, such as whose premises
These are, and why just here, and what we might
Expect to make of a shop-window shelf
Displaying last year's styles of dark and light?
Here at this moment, morning is most itself,
Before the geometric shadows, more
Substantial almost than what casts them, pale
Into whatever later light will be.
What happens here? What is the sort of store
Whose windows frame such generality?
Meaning is up for grabs, but not for sale.