The girl is waiting in the room to be discovered.
The girl is attempting radiance.
The girl may be a boy, or vice versa.
The girl is anticipating the man's arrival, later.
The girl is anticipating the man's displeasure.
The girl is anticipating the man's disapproval.
The girl takes no guff.
The girl's mendacity has long been remarked upon.
The girl armors up with chic.
The girl carries the blooms, the veronicas, the perovskia.
The girl who may be a boy powders the smalt.
The girl fills the room like smoke.
The girl is a deer in the onrush of lamps, she sits on the planks of the pier.
The girl swings her feet above the surface of the water.
The girl presses out, inhales, still fills her seat not.
The seat is an ink room, not-girl, apprehension.
The girl is mottled with self, with indecision.
The girl's amethyst earrings window her eyes.
The girl twirls her cape before the bull.
She refuses her chest.
She refuses "alabaster."
She refuses your volupty at her expense.
The girl is the hole, the cutout.
The box she is punched from throngs with blue spirits.
The ground is blank as a plum, tank-deep.
O water, o silting of dust. Reticulate.
The room's tonnage sags.
The ground is figure to its own ground.
And she, blade of grass at the Battle at Troy.
The girl refuses the stadium seating.
The girl mixes lazule and vivianite.
The girl was or was not a mother, this is irrelevant.
The girl's skin shelters; her skin burns with self.
At the end of the pier, in the house light, she looks up.
Her shade engulfs her.
The girl's blueism offputs the man.
The Girl look't Blew. Blue funked. Cast indigo.
She yelled bloody blue, she talked a blue streak.
The girl blued her bluebacks on linnets and blue duns.
The girl was waiting to be overtaken.
The girl was cruising for a bruiser.
The girl tilted up at the ciel: blue-domer.
She struck into space like a bolt from the blue.
Azul ultramarino, when I confessed I repented, the girl said.
She was blue mouldy for the want of that drink.
The girl ardent was; ardent, wracked, and replete.
The girl took the retablo from the wall; in her hand its wings shone.
The girl watched, as she listened, the strung lights waver.
The girl's moment for radiance passed.
O she was stippled, O but her room was.
O that the treatment take hold and transform.
The girl swung a gun.
The girl jutted her chin fore.
The girl limped with her sidling and stalled.
She has a fast one, it's in a wheel rut, the girl and her blue ruin, gin and her car.
The girl has veined shoulders.
She passes wind.
The girl's form is landmined: flounces, the flesh.
The girl bats the red lock away from her ear.
The girl takes the synapse and invests it with scene (insensible sense).
The girl Rapunzel is (NOT). She disdains.
O discrete make me and blocked.
O scurry me forth on the slate patio, and applaud my every squeak.
O I am helpful like a shill (no groin).
Untransmutable plane with your shadowed door.
The room heats like a vise.
The girl splices the water like a seal or a grouper.
The girl's shell grows a rubbery skin.
The girl looks right back, planted.
The girl holds her thumb piano beneath our view.
She, the girl, regards the chimpanzee.
The chamber loses its ceiling and the stars prick through.
The girl breathes. Her sex bucks out of sight.
The girl, blushing: O did you see me there? Did you?